“The Greenland ice sheet is on track to lose mass at about four times the fastest rate observed over the past 12,000 years. At its current trajectory, such melting would dump huge quantities of freshwater into the sea, raising global sea levels and disrupting ocean currents, scientists concluded in new research Wednesday.
The new findings, published in the journal Nature, warn that the only way to avoid a drastically accelerated meltdown of the massive ice sheet in coming decades is for the global community to curtail emissions of greenhouse gases in the near-term.
Greenland is already the largest contributor to sea level rise, though Antarctica has the potential to increase sea levels even more. As sea levels creep upward, coastal storms including hurricanes and nor’easters become more destructive. Recent trends in more frequent “sunny day flooding” at high tide in places such as Annapolis, Md.; Norfolk; Charleston, S.C.; and Miami is also linked to sea level rise.”
“A company operating one of the world’s largest zinc mines in Northwest Alaska said thawing permafrost linked to global warming forced an expenditure of nearly $20 million on water storage and discharge management.
Teck Resources Ltd. says permafrost thaw in the watershed surrounding the massive Red Dog Mine is releasing higher natural levels of dissolved minerals and other particles into streams, Alaska’s Energy Desk reported Tuesday.”
“The intensifying rivalry over sea routes and mineral resources in the Arctic, itself a consequence of the climate emergency, has caused alarm over its environmental impact.
“Even during a pandemic and nationwide protests against state violence, the Trump administration is still finding new ways to exploit the climate crisis. He is truly the worst president for the planet we’ve ever had,” Charlie Cray, a senior researcher for Greenpeace USA, said.
“There are so many ways our tax dollars could be used to support Arctic communities. Helping out the oil industry and the military with a new fleet of icebreakers is definitely last on the list.”
Polar military experts are also sceptical over the urgency of the “icebreaker gap” with Russia.
“Icebreakers – even if armed – don’t really address some of the most commonly cited challenges that China and Russia might pose for the United States in the Arctic,” Paul Avey, assistant professor for political science at Virginia Tech university, argued. “This isn’t to say icebreakers can play no role in competition. But in narrow defence terms, I think that the best way to address China and Russia in the Arctic – and Antarctic – is to focus on issues in eastern Europe and the western Pacific.”
“NanookoftheNorth was not initially intended as a documentary, a genre which had not even been defined at the time of the film’s production. As Flaherty’s widow Frances affirms in the interview featured on this disc, the film was made with an eye for commercial distribution and exhibition, and for audiences accustomed to narrative fiction films. Flaherty was not an ethnographer, but he was building his story out of the materials of real life. In this he was blazing cinematic trails, and even though the tenets of anthropological filmmaking were not nearly in place, it is remarkable how much he still managed to get right. Initiating a practice that would later become fundamental ethnographic etiquette, Flaherty developed each day’s footage and screened it for the participants, who were encouraged to make suggestions. Since the Inuit were the authorities on their own lives, many of these suggestions were incorporated into the film. Consistent with this substantial artistic collaboration, and contrary to a narrative and stylistic impulse that would prevail elsewhere for many more years, Flaherty does not intrude on his subject. He is not the star of his film, and though his effaced presence causes a few unsightly wrinkles (contrivances—like Nanook’s biting of the phonograph record—are presented as actual and natural), for the most part it means that the credit for the film’s feats of courage and grace goes precisely where it belongs: to the Inuit.” – Dean W. Duncan, Nanook of the North
“Russia’s President Vladimir Putin has declared a state of emergency after 20,000 tonnes of diesel oil leaked into a river within the Arctic Circle.
The spill happened when a fuel tank at a power plant near the Siberian city of Norilsk collapsed last Friday.
The power plant’s director Vyacheslav Starostin has been taken into custody until 31 July, but not yet charged.
The plant is owned by a subsidiary of Norilsk Nickel, which is the world’s leading nickel and palladium producer.
The Russian Investigative Committee (SK) has launched a criminal case over the pollution and alleged negligence, as there was reportedly a two-day delay in informing the Moscow authorities about the spill.
Ground subsidence beneath the fuel storage tanks is believed to have caused the spill. Arctic permafrost has been melting in exceptionally warm weather for this time of year.
President Putin expressed anger after discovering officials only learnt about the incident on Sunday.” – BBC, Read the full article here.
“Set in the snow-capped Urals, this multi-genre anthology reveals the lives and traditions of Russia’s indigenous Mari people through stories of 23 women.
The Mari, a Finno-Ugric people that live along the northern bank of the river Volga, are considered to be Europe’s last pagans. Celestial Wives of the Meadow Mari, the award-winning ethnofiction film by director Aleksei Fedorchenko, paints a beguiling picture of a culture driven by the ritualistic appreciation of female beauty. The script, written by Denis Osokin, is divided into 23 novellas, each focused on a woman whose name starts with the letter “O”. Through these short chapters, each different in terms of tone and visuals, Fedorchenko creates a vivid portrait of the diversity of Mari people and the idiosyncrasies of their culture.
Shot in their native language, the film features local Mari people as actors. However, the film is by no means an anthropological study, as fantasy and witchery interweave with local traditions in a colourful interplay between magic and reality. Described as a “Mari Decameron”, Celestial Wives of the Meadow Mari is a captivating example of a local female reality that transcends language barriers and cultural borders, and proves to be universally relatable.”
TEDx Talks “In her talk Tanit Karolys discusses her own burnout story, and how cold therapy and the power of the mind helped her to overcome it. Tanit Karolys is a transformational coach and co-founder of ANDRI ICELAND. She specializes in ancient techniques for self-improvement, mental and emotional healing as well as physical health. Tanit comes from a long corporate background where her own burnout experience led her to understand the importance of a balanced life and strong connection to our own inner abilities. She blends Cold Therapy, the power of the mind, ancient techniques and physical therapy in her work.”
One of the main subjects I’ve been stuck on with my decision to move forward with documenting native cultures around the world is the question of ethics and how to approach these subjects without causing any feelings of invasion of personal/sacred space or exploitation. Here’s a helpful piece I found published by NPR on the ethics of documenting tragedies, which approaches a similar process.